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The women are models and close friends. The design of the editorial was based on a neutral palette, with a focus on black and dark gray as one of the main shades. A mix of dried florals, dyed florals (including the palm frond), and delicate blooms perfectly represented that mix of modern and chic style we wanted to explore. The table was set with black candles, organic shaped plates, with dried florals on each napkin set atop a soft geometric tablecloth. The calligrapher designed a unique and chic invitation suite, printed on her century-old iron cast Chandler & Price Letterpress. As she was designing the suite, she experimented with creating individual clay menus for each setting - each piece of clay was shaped, pressed through the letterpress and hand-painted. Our models wore bespoke gold jewelry, with Aja in a black gown (Bennet) by Tara laTour and Alex in a white gown (Grace) by Vagabond Bridal.
The women are models and close friends. The design of the editorial was based on a neutral palette, with a focus on black and dark gray as one of the main shades. A mix of dried florals, dyed florals (including the palm frond), and delicate blooms perfectly represented that mix of modern and chic style we wanted to explore. The table was set with black candles, organic shaped plates, with dried florals on each napkin set atop a soft geometric tablecloth. The calligrapher designed a unique and chic invitation suite, printed on her century-old iron cast Chandler & Price Letterpress. As she was designing the suite, she experimented with creating individual clay menus for each setting - each piece of clay was shaped, pressed through the letterpress and hand-painted. Our models wore bespoke gold jewelry, with Aja in a black gown (Bennet) by Tara laTour and Alex in a white gown (Grace) by Vagabond Bridal.
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